Light Passing Through Glass
Light Passing Through Glass is a fine art exhibit of original digital images created by Michael Bell. Each photo is a single exposure, made with a flashlight, a magnifying glass, and a marble. The first show took place at the Hague Gallery in Regina, Saskatchewan in March and April 2015.
Artist Statement for Light Passing Through Glass
During the past year, my friend and photographer Greg Miller invited me to lend a hand on some of his photoshoots. Greg’s pictures tend to be long-exposures shot at night, in or near abandoned houses, and often feature strange scenes lit with unusual light. Being at these shoots throughout 2014 got me thinking about creative ways to make long-exposure images, but on a smaller scale. I bought a bag of marbles and a magnifying glass from CMS and began to play. Three months later (and too much time alone in a dark room), I made enough images to present what I’ve decided to call: Light Passing Through Glass.
The images are made from three parts. First, a small flashlight served as the light source. Second, the light passed through a magnifying glass. In some of the pictures, the magnifying glass focused the light on a marble; in others, the light was focused into or near the camera’s lens. Third, each picture was a single long-exposure, from one second up to 30 seconds in duration. Some of the effects were achieved by: focusing the light directly onto the camera’s sensor; changing the focal length of the lens during the exposure; spinning the marble; spraying water near or onto the magnifying glass. The images were edited to enhance colours, to sharpen and add contrast, but the subject itself looks as it did when it was captured by the camera*.
The thing I enjoyed most about doing this project was the way that one idea led to another. I put the magnifying glass in-between the camera and the lightsource: I wonder what that would look like? Snap, snap, snap. Then I saw that the magnifying glass could focus the light onto an object, like a marble! Snap, snap, snap. Then I wondered: what would happen if I spun the marble during the exposure? Snap, snap, snap. What if I could use water? What about changing the focal length? Snap, snap, and snap. It was so satisfying to discover new results from previous ideas. I hope you enjoy the show.
*One exception: in the original capture of “Light #2”, the handle of the magnifying glass could be faintly seen. It was erased during editing.
Michael Bell is a weekend news photographer for the Regina Leader-Post, as well as a freelance photographer for The Canadian Press and The Globe and Mail. Light Passing Through Glass is his first fine art exhibition.